Diamond In The Rough
Deep down beneath a hundred miles of earth,
And stay there as a billion years go by
To grow in hardness lending it it’s worth.
It’s fascinating how a child may live
Deep down beneath a thousand miles of pain,
And stay there, although everything may give
Till beating heart and fighting soul remain.
This is the tale of diamonds in the rough,
Unknown and unacknowledged through their time,
And as if all that pressure’s not enough,
They’re covered with the thickest coats of grime.
To shine is not up to the stone or child
But to the hand that finds it in the wild.
On Riverside Walks
Heart And Sole
They stand me up and sit me down,
I’m safe when they are on the ground,
Past fields, through woods, up canyons grand,
Oh, how I love the touch of land.
I know my feet have served me well,
Though there were times I know I fell.
And bikes and trams and trains and cars,
And ships and planes and flights to Mars
Are one side of the great divide
Between a ride and happy stride.
A bond that’s shared by earth and heart
Grows stronger as they drift apart,
From dust we come, in dust demise
Till all that settles comes to rise.
The Kingdom Trap
When waters whelmed the tyrant and his men
And drained that wealthy kingdom of its power,
It seemed the consequence of all that then
Would be for slaves to rise up to the hour
And take it back. But came the high command
That turned them east and set them desert-bound
That they may become of the Promised Land
Of Paradise where lasting peace is found.
And thus the most beloved of the Lord
Returned, a conqueor with head bowed low
With reason for the conquest: to afford
The Abrahamic pilgrimage. So know:
Seek kingdom and authority on earth
To be deprived of it where has it worth.
Falling Snow
Forging a new form. I find this one works well to combine a visual scene with an abstract thought that it inspires. The form comprises five stanzas:
- A sestet detailing a scene (two lines of trimeter and one tetrameter, repeating as aac bbc)
- A couplet summarizing the scene (trimeter, i.e. keep it short)
- A sestet re-inforcing the preceding stanzas and/or gradually introducing the abstraction (same meter as first sestet)
- A couplet followed by
- A tercet – i.e. five lines that clarify the abstraction.
I’m going to try and repeat this form in a future post to see if it holds up :-). Share your thoughts in a comment here, or email me.
Powdered sugar driveways;
Slipping on the highways;
Crystal wonder flakes in motion;
Fallen in an hour
In a gentle shower,
Look around you: it’s an ocean.
Snow, snow, snow, everywhere,
Float and blow through the air,
Let the whiners blather
On that they would rather
Brave the summertime commotion.
Feel the mercy falling,
I can hear you calling
Through the layers of this notion.
Snow and love fall the same
From above in the name
Of the ever living,
And forever giving
Center of a heart’s devotion.
On The Not So Many Things I Cannot Stand
This sonnet was borne by the silence of an early afternoon Metra ride out of Chicago. I think it was inspired by some “explosive laughter” on a conference call from earlier in the day.
On Healy’s Insightful Observation
I WIll Grieve, I Will Laugh, But I Am Not Charlie, by Josh Healy
Rise!
Set the field ablaze for a thousand days,
It’s your day to rise, your day to rise.
RISE!
December
There’s a wind that bites on the coldest nights
In the frozen lap of December,
And it leaves its marks of depressing truth
Everywhere that it blows. Remember
All the lonesome old, and the suffering youth
And the desperate cries of a mother
As she scrapes what once had graced her womb
From the street in the wake of another
Downpour of fire; every home’s a tomb
With its epitaph on the faces
Of the drenched who dried everything they had
In the rain, of all the places.
As a village dines on a morsel, glad
For the fact that their meal was bigger,
Don’t forget blood spilled, all of it unwilled
By that tot enticed by a trigger.
But we all rejoice for the time we killed
In our hot pursuit of pleasure,
Just don’t be ashamed of the tears you shed
They might be our only treasure.
(Take it down just a notch for the dead.)
There’s a wind that bites on the coldest nights
In the frozen lap of December,
And it leaves its marks of depressing truth
Everywhere that it blows. Remember.
Happy New Year!